Creator ! 50's WizeGuy , MozCat

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Bin Rockin Sinse 1974. Welcome! to Wild Cat' Rhythm & Bop. This page was created for all the true blue rockin 50's , cats & Kittens that are dedicated to the wild rockin raucous sounds of the 50's. Also it is especially for the rockin bands all over the world to advertise thier personal gigs & videos, and clubs/pubs to add thier gigs flyers. Also both can interact with each other. e.g. gig reviews, rockin pubs & clubs reviews. Created By! 50's WizeGuy, Maurice Darby, aka MozCat! Time Will Tell , if I Rock In Heaven or I Rock In Hell, wot ever Happens they will Hear Ye Rebel yell...!! Yeeeee,Aaaaaagh. ROCKABILLY RULES OK!!! FROM mOZcAT! http://www.facebook.com/groups/261487007226310/

"LEGENDS OF ROCKABILLY/ROCKNROLL" , BUDDY HOLLY




 Buddy Holly
Charles Hardin Holley was born on September 7, 1936, in [[Lubbock, Texas|Lubbock]], Texas, to Lawrence Odell and Ella Pauline (Drake) Holley. In Philip Norman's biography it is stated that his mother's family claimed to be descended from the English navigator [[Francis Drake]].

Holly was always called "Buddy" by his family because he was so nice to everyone. Buddy was the youngest of three siblings, and brothers Larry and Travis taught him to play a variety of instruments, including the guitar, four-string banjo and lap steel guitar. At the age of five, his young voice and exuberance won him a talent contest singing a then-popular song, "Have You Ever Gone Sailing (Down the River of Memories)." In 1949, still retaining his soprano, he recorded a bluesy solo rendering of [[Hank Snow]]'s "My Two Timin' Woman" on a [[wire recorder]] borrowed by a friend who worked in a music shop.

In 1952, he met [[Bob Montgomery (musician)|Bob Montgomery]] at Hutchinson Junior High School. They shared an interest in music, and teamed up as "Buddy and Bob". Initially influenced by [[bluegrass music|bluegrass]], they sang harmony duets at local clubs and high school talent shows. The duo performed on a local radio station [[KDAV]] Sunday broadcast that made them a top local act. Hutchinson Junior High School now has a mural honoring Holly, and [[Lubbock High School]], where he sang in the school choir, also honors the late musician.



                                                   That'll Be The Day
Holly with the Crickets              
Holly saw [[Elvis Presley]] sing in Lubbock in 1955, and began to incorporate a [[rockabilly]] style, similar to the [[Sun Records]] sound, which had a strong rhythm acoustic and slap bass.On October 15, 1955, Holly, along with Bob Montgomery and Larry Welborn, opened the bill for Presley in Lubbock, catching the eye of a [[Nashville]] talent scout. Holly's transition to rock continued when he opened for [[Bill Haley & His Comets]] at a local show organized by Eddie Crandall, the manager for [[Marty Robbins]]

Following this performance, [[Decca Records]] signed him to a contract in February 1956, misspelling his name as "Holly".He thereafter adopted the misspelled name for his professional career. Holly formed his own band, later to be called [[The Crickets]], consisting of Holly (lead guitar and vocals), [[Niki Sullivan]] (guitar), [[Joe B. Mauldin]] (bass), and [[Jerry Allison]] (drums). They went to Nashville for three recording sessions with producer [[Owen Bradley]]. However, Holly chafed under a restrictive atmosphere that allowed him little input Among the tracks he recorded was an early version of "[[That'll Be The Day]]", which took its title from a line that [[John Wayne]]'s character says repeatedly in the 1956 film ''[[The Searchers (film)|The Searchers]]''. (This initial version of the song played more slowly and about half an octave higher than the later hit version.) Decca released two singles, "Blue Days, Black Nights" and "Modern Don Juan", that failed to make an impression. On January 22, 1957, Decca informed Holly his contract would not be renewed, insisting, however, that he could not record the same songs for anyone else for five years.Holly recorded his February 28, 1957 phone call with Decca, and the recording has survived: .

                                                  Blue Days Black Nights


Holly then hired [[Norman Petty]] as manager, and the band began recording at Petty's studios in [[Clovis, New Mexico|Clovis]], New Mexico. Petty contacted music publishers and labels, and [[Brunswick Records]], a subsidiary of Decca, signed the Crickets on March 19, 1957. Holly signed as a solo artist with another Decca subsidiary, [[Coral Records]]. This put him in the unusual position of having two recording contracts at the same time.

On May 27, 1957, "That'll Be The Day" was released as a single, credited to the Crickets to try to bypass Decca's claimed legal rights. When the song became a hit, Decca decided not to press its claim. "That'll Be the Day" topped the ''Billboard'' [[Number-one hits of 1957 (United States)|US "Best Sellers in Stores"]] chart on September 23, and was on the [[List of number-one singles from the 1950s (UK)|UK Singles Chart]] for three weeks in November. The Crickets performed "That'll Be the Day" and "[[Peggy Sue (song)|Peggy Sue]]" on ''[[The Ed Sullivan Show]]'' on December 1.They also sang "Peggy Sue" on ''[[The Arthur Murray Party]]'' on December 29 and were given a polite introduction by [[Kathryn Murray]]. The [[kinescopes]] of these programs are the only record of their 1957 television appearances.


                                                        Peggy Sue



Holly helped win over an all-black audience to rock and roll/rockabilly when the Crickets were booked at New York's [[Apollo Theater]] for August 16–22, 1957. Unlike the immediate acceptance shown in the 1978 movie ''[[The Buddy Holly Story]]'', it actually took several performances for the audience to warm up to him. In August 1957, the Crickets were the only white performers on a national tour including black neighborhood theaters.

As Holly was signed both as a solo artist and a member of the Crickets, two debut albums were released: ''[[The "Chirping" Crickets]]'' on November 27, 1957 and ''[[Buddy Holly (album)|Buddy Holly]]'' on February 20, 1958. His singles "Peggy Sue" and "[[Oh, Boy! (song)|Oh Boy!]]", with backing vocals later dubbed on by [[The Picks]], reached the top ten of United States and United Kingdom charts. Buddy Holly and the Crickets toured Australia in January 1958 and the UK in March. Their third and final album, ''[[That'll Be the Day (album)|That'll Be the Day]]'', was put together from early recordings and was released in April.

In the liner notes to ''Buddy Holly: The Definitive Collection'', Billy Altman notes that "Peggy Sue" was originally written as "Cindy Lou" (after Holly's niece), but Holly changed it prior to recording as a tip of the hat to Crickets drummer Jerry Allison's girlfriend, Peggy Sue Gerron. Allison wanted the song to be named after Gerron to make up for a recent fight. The two later married.

Holly wrote "[[True Love Ways]]" about his relationship with his wife, [[María Elena Holly|Maria Elena]]. It was recorded in her presence on October 21, 1958, at Decca's Pythian Temple, with Dick Jacob, [[Coral-Brunswick]]'s new head of [[A&R|Artists and Repertoire]], serving as both producer and conductor of the 18-piece orchestra, which included members of the [[New York Symphony Orchestra]], NBC Television's house orchestra and [[Boomie Richman|Abraham "Boomie" Richman]], formerly of [[Benny Goodman]]'s band.

                                                        MidNight Shift


The ambitious Holly became increasingly interested in the New York music/recording/publishing scene, while his band mates wanted to go back home to Lubbock.{{Citation needed|date=October 2010}} As a result, the group split up in late 1958. The Hollys settled in Apartment 4H of the Brevoort Apartments located at 11 Fifth Avenue in [[Greenwich Village]]. Here he recorded the series of acoustic songs, including "[[Crying, Waiting, Hoping]]" and "What to Do," known as the "Apartment Tapes," which were released after his death.

The Hollys frequented many of New York's music venues, including [[The Village Gate]], Blue Note, [[Village Vanguard]], and Johnny Johnson's.{{Citation needed|date=October 2010}} Maria Elena reported Buddy was keen to learn finger-style flamenco guitar, and would often visit her aunt's home to play the piano there.{{Citation needed|date=October 2010}} He wanted to develop collaborations between soul singers and rock 'n' roll, hoping to make an album with [[Ray Charles]] and gospel legend [[Mahalia Jackson]]. He also had ambitions to work in film, like [[Elvis Presley]] and [[Eddie Cochran]], and registered for acting classes with Lee Strasburg's [[Actors' Studio]], where the likes of [[Marlon Brando]] and [[James Dean]] had trained.

                                                     Crying , waiting, Hoping


According to Billy Altman's liner notes to the Geffen/Universal compilation, ''Buddy Holly: The Definitive Collection'', in addition to "True Love Ways", during the October 1958 sessions at Decca's Pythian Temple, Holly also recorded two other songs, "It Doesn't Matter Anymore" and "Raining In My Heart." The songs were firsts for Holly, not only in the use of orchestral backing players, but also the tracks were his first stereo recordings. They were also to be his last formal [[recording studio]] sessions.

Although Holly had already begun to become disillusioned with Norman Petty before meeting Maria Elena, it was through her and her aunt Provi, the head of Latin American music at Peer-Southern, that he began to fully realize what was going on with his manager, who was paying the band's royalties into his own company's account. Holly was having trouble getting his royalties from Petty, so he hired the noted lawyer Harold Orenstein at the recommendation of his friends the [[Everly Brothers]], who had engaged Orenstein following disputes with their own manager, Wesley Rose. Yet, with the money still being withheld by Petty and with rent due, Buddy was forced to go back on the road.


                                                                          Ollie Vee


The Day the Music Died
Holly was offered a spot in the Winter Dance Party, a three-week tour across the Midwest opening on January 23, 1959, by the GAC agency,{{Citation needed|date=October 2010}} with other notable performers such as [[Dion and the Belmonts]], [[Ritchie Valens]], and [[The Big Bopper|J. P. "The Big Bopper" Richardson]]. He assembled a backing band consisting of [[Tommy Allsup]] (guitar), [[Waylon Jennings]] (bass) and [[Carl Bunch]] (drums), and billed as The Crickets.{{Citation needed|date=October 2010}}

Following a performance at the [[Surf Ballroom]] in [[Clear Lake, Iowa]], on February 2, 1959, Holly chartered a small airplane to take him to the next stop on the tour. Holly, Valens, Richardson and the pilot were killed en route to Moorhead, Minnesota, when their plane crashed soon after taking off from nearby [[Mason City, Iowa|Mason City]] in the early morning hours of February 3. Bandmate [[Waylon Jennings]] had given up his seat on the plane, causing Holly to jokingly tell Jennings, "I hope your ol' bus freezes up!" Jennings shot back facetiously, "Well, I hope your ol' plane crashes!" It was a statement that would haunt Jennings for decades.

                                                                 True Love Ways
                                    
                                         
Holly's funeral was held on February 7, 1959, at the Tabernacle Baptist Church in Lubbock. The service was officiated by Ben D. Johnson, who had presided at the Hollys' wedding just months earlier. The pallbearers were [[Jerry Allison]], [[Joe B. Mauldin]], [[Niki Sullivan]], [[Bob Montgomery (musician)|Bob Montgomery]], [[Sonny Curtis]] and [[Phil Everly]]. Waylon Jennings was unable to attend due to his commitment to the still-touring Winter Dance Party. Holly's body was interred in the City of Lubbock Cemetery in the eastern part of the city. His headstone carries the correct spelling of his surname (Holley) and a carving of his [[Fender Stratocaster]] guitar.

Holly's pregnant wife, a widow after barely six months of marriage, miscarried soon after, ending that part of the Holly family tree. The miscarriage was reportedly due to “[[psychological trauma]]”. Because of this incident, authorities found it necessary, in the months following, to implement a policy against announcing victims’ names until after families had first been informed.[[María Elena Holly]] did not attend the funeral, and has never visited the gravesite. She later told the ''Avalanche-Journal'':

In a way, I blame myself. I was not feeling well when he left. I was two weeks pregnant, and I wanted Buddy to stay with me, but he had scheduled that tour. It was the only time I wasn't with him. And I blame myself because I know that, if only I had gone along, Buddy never would have gotten into that airplane.
The first song to commemorate the musicians was “Three Stars” by Eddie Cochran. This song was recorded just a single day after the disaster occurred. Twelve years later, in 1971, [[Don McLean]] released his single, "[[American Pie (song)|American Pie]]”, to commemorate Buddy Holly’s death and further accentuate the loss of the United States’ innocence. Don McLean’s song began the reference to the tragedy as "The Day the Music Died".

Date & Source Label & Number Title & "As By" Name

1956/Apr. 21
Bb c&w rev.
Decca (N.Y.) 9-29854  Pertinent Label shot Song sample Love Me — Buddy Holly



Pertinent Label shot Song sample Blue Days--Black Nights — Buddy Holly

1956/Dec. 29
Bb c&w rev.
Decca (N.Y.) 9-30166  Pertinent Label shot Song sample Modern Don Juan — Buddy Holly



Borderline Label shot You Are My One Desire — Buddy Holly

1957/June 24
Bb pop rev.
Coral (N.Y.) 9-61852  Pertinent Song sample Mailman, Bring Me No More Blues — Buddy Holly



Borderline Label shot Song sample Words Of Love — Buddy Holly

1957/Aug. 19
Bb pop rev.
Decca (N.Y.) 9-30434  Pertinent Label shot Song sample Rock Around With Ollie Vee — Buddy Holly



Pertinent Label shot Song sample That'll Be The Day — Buddy Holly And The Three Tunes

1957/Sept. 30
Bb pop rev.
Coral (N.Y.) 9-61885  Pertinent Label shot Song sample Peggy Sue — Buddy Holly



Borderline Label shot Song sample Everyday — Buddy Holly


Decca (N.Y.) ED2575  Cover shot
That'll Be The Day [mono]
No rating Label shot That'll Be The Day — Buddy Holly And The Three Tunes



No rating You Are My One Desire — Buddy Holly



No rating Label shot Blue Days--Black Nights — Buddy Holly And The Three Tunes



No rating Ting-A-Ling — Buddy Holly

1958/Jan. 6
Bb pop rev.
Decca (N.Y.) 9-30543  Pertinent Label shot Song sample Love Me — Buddy Holly



Borderline Label shot Song sample You Are My One Desire — Buddy Holly

1958/Feb. 3
Bb pop rev.
Coral (N.Y.) 9-61947  Pertinent Label shot Song sample I'm Gonna Love You Too — Buddy Holly



Borderline Label shot Song sample Listen To Me — Buddy Holly


Coral (N.Y.) EC81169  Cover shot
Listen To Me [ep]
No rating Label shot Listen To Me — Buddy Holly



No rating Peggy Sue — Buddy Holly



No rating Label shot I'm Gonna Love You Too — Buddy Holly



No rating Everyday — Buddy Holly

1958/Apr. 21
Bb pop rev.
Coral (N.Y.) 9-61985  Pertinent Label shot Song sample Rave On — Buddy Holly



Borderline Label shot Song sample Take Your Time — Buddy Holly

1958/June 23
Bb pop rev.
Decca (N.Y.) 9-30650  Pertinent Label shot Song sample Ting-A-Ling — Buddy Holly And The Three Tunes



Pertinent Label shot Song sample Girl On My Mind — Buddy Holly And The Three Tunes

1958/June 30
Bb pop rev.
Coral (N.Y.) 9-62006  Borderline Label shot Song sample Early In The Morning — Buddy Holly With Chorus And Orchestra Directed By Dick Jacobs



Borderline Label shot Song sample Now We're One — Buddy Holly With Chorus And Orchestra Directed By Dick Jacobs

1958/Oct. 27
Bb pop rev.
Coral (N.Y.) 9-62051  Borderline Label shot Song sample Well ... All Right — Buddy Holly



Borderline Label shot Song sample Heartbeat — Buddy Holly

1959/Jan. 19
Bb pop rev.
Coral (N.Y.) 9-62074  Non-pertinent Label shot Song sample It Doesn't Matter Anymore — Buddy Holly With Chorus And Orchestra Directed By Dick Jacobs



Non-pertinent Label shot Song sample Raining In My Heart — Buddy Holly With Chorus And Orchestra Directed By Dick Jacobs


Coral (N.Y.) EC-81182  Cover shot
The Buddy Holly Story [mono]
No rating Early In The Morning — Buddy Holly



No rating Heartbeat — Buddy Holly



No rating Label shot It Doesn't Matter Anymore — Buddy Holly With Chorus And Orchestra Directed By Dick Jacobs



No rating Raining In My Heart — Buddy Holly

1959/Aug. 3
Bb pop rev.
Coral (N.Y.) 9-62134  Pertinent Label shot Song sample Peggy Sue Got Married — Buddy Holly



Pertinent Label shot Song sample Crying, Waiting, Hoping — Buddy Holly

1960/June 13
Bb pop rev.
Coral (N.Y.) 9-62210  Cover shot Borderline Label shot Song sample That Makes It Tough — Buddy Holly



Non-pertinent Label shot True Love Ways — Buddy Holly

1961/July
(Bb est.)
Coral (Que.)  62283  Pertinent Label shot Song sample You're So Square (Baby I Don't Care) — Buddy Holly



Borderline Label shot Song sample Valley Of Tears — Buddy Holly


Coral (N.Y.) EC-81191  Cover shot
Peggy Sue Got Married [mono]
No rating Label shot Peggy Sue Got Married — Buddy Holly With Chorus And Orchestra Directed By Jack Hansen



No rating Crying, Waiting, Hoping — Buddy Holly



No rating Label shot Learning The Game — Buddy Holly With Chorus And Orchestra Directed By Jack Hansen



No rating That Makes It Tough — Buddy Holly

1962/Aug. 18
Bb pop rev.
Coral (N.Y.)  62329  Borderline Label shot Song sample Reminiscing — Buddy Holly



Borderline Label shot Song sample Wait Till The Sun Shines Nellie — Buddy Holly

1963/Mar. 30
Bb pop rev.
Coral (N.Y.)  62352  Pertinent Label shot Song sample Bo Diddley — Buddy Holly



Non-pertinent Label shot Song sample True Love Ways — Buddy Holly With Chorus And Orchestra Directed By Dick Jacobs


Coral (N.Y.) EC81193  Cover shot
Brown Eyed Handsome Man [mono]
No rating Label shot Brown Eyed Handsome Man — Buddy Holly



No rating Wishing — Buddy Holly



No rating Label shot Bo Diddley — Buddy Holly



No rating True Love Ways — Buddy Holly

1963/July 27
Bb pop rev.
Coral (N.Y.)  62369  Pertinent Label shot Brown-Eyed Handsome Man — Buddy Holly



Borderline Label shot Wishing — Buddy Holly

1964/Jan. 4
Bb pop rev.
Coral (N.Y.)  62390  Pertinent Label shot Rock Around With Ollie Vee — Buddy Holly



Pertinent Label shot I'm Gonna Love You Too — Buddy Holly

1965/Apr.
(Bb est.)
Coral (N.Y.)  62448  No rating Label shot Slippin' And Slidin' — Buddy Holly



No rating Label shot What To Do — Buddy Holly

1966-67
(Bb est.)
Coral (N.Y.)  62554  No rating Label shot Rave On — Buddy Holly



No rating Label shot Early In The Morning — Buddy Holly

1967
(Bb est.)
Coral (N.Y.)  62558  Cover shot Pertinent Label shot You're The One — Buddy Holly



Borderline Label shot Love Is Strange — Buddy Holly

Original LPs
1958 Coral (N.Y.) CRL57210  Cover shot
Buddy Holly [mono]
No rating Label shot I'm Gonna Love You Too — Buddy Holly



No rating Peggy Sue — Buddy Holly



No rating Look At Me — Buddy Holly



No rating Listen To Me — Buddy Holly



No rating Valley Of Tears — Buddy Holly



No rating Ready Teddy — Buddy Holly



No rating Everyday — Buddy Holly



No rating Mailman, Bring Me No More Blues — Buddy Holly



No rating Words Of Love — Buddy Holly



No rating You're So Square (Baby, I Don't Care) — Buddy Holly



No rating Rave On — Buddy Holly



No rating Little Baby — Buddy Holly

1958/May 5
Bb Aud.
Decca (N.Y.) DL-8707  Cover shot
That'll Be The Day [mono]
No rating Label shot You Are My One Desire — Buddy Holly



No rating Blue Days--Black Nights — Buddy Holly



No rating Modern Don Juan — Buddy Holly



No rating Rock Around With Ollie Vee — Buddy Holly With The Three Tunes



No rating Ting-A-Ling — Buddy Holly With The Three Tunes



No rating Girl On My Mind — Buddy Holly With The Three Tunes



No rating Label shot That'll Be The Day — Buddy Holly With The Three Tunes



No rating Love Me — Buddy Holly



Pertinent I'm Changing All Those Changes — Buddy Holly With The Three Tunes



No rating Don't Come Back Knockin' — Buddy Holly



Pertinent Midnight Shift — Buddy Holly

1959 Coral (N.Y.) CRL-57279
The Buddy Holly Story [mono]
No rating Raining In My Heart — Buddy Holly



No rating Early In The Morning — Buddy Holly



No rating Peggy Sue — Buddy Holly



No rating Maybe Baby — Buddy Holly



No rating Everyday — Buddy Holly



No rating Rave On — Buddy Holly



No rating That'll Be The Day — Buddy Holly



No rating Heartbeat — Buddy Holly



No rating Think It Over — Buddy Holly



No rating Oh! Boy — Buddy Holly



No rating It's So Easy — Buddy Holly



No rating It Doesn't Matter Anymore — Buddy Holly

1959 Coral (N.Y.) CRL-757279
The Buddy Holly Story [sim. stereo]
No rating Raining In My Heart [rechan. vers.] — Buddy Holly



No rating Early In The Morning [rechan. vers.] — Buddy Holly



No rating Peggy Sue [rechan. vers.] — Buddy Holly



No rating Maybe Baby [rechan. vers.] — Buddy Holly



No rating Everyday [rechan. vers.] — Buddy Holly



No rating Rave On [rechan. vers.] — Buddy Holly



No rating That'll Be The Day [rechan. vers.] — Buddy Holly



No rating Heartbeat [rechan. vers.] — Buddy Holly



No rating Think It Over [rechan. vers.] — Buddy Holly



No rating Oh! Boy [rechan. vers.] — Buddy Holly



No rating It's So Easy [rechan. vers.] — Buddy Holly



No rating It Doesn't Matter Anymore [rechan. vers.] — Buddy Holly

1960/May 2
Bb Aud.
Coral (N.Y.) CRL-57326
The Buddy Holly Story, Vol. 2 [mono]
No rating Peggy Sue Got Married — Buddy Holly



No rating Well All Right — Buddy Holly



No rating What To Do — Buddy Holly



No rating That Makes It Tough — Buddy Holly



No rating Now We're One — Buddy Holly



No rating Take Your Time — Buddy Holly



No rating Crying, Waiting, Hoping — Buddy Holly



No rating True Love Ways — Buddy Holly



No rating Learning The Game — Buddy Holly



No rating Little Baby — Buddy Holly



No rating Moondreams — Buddy Holly



No rating That's What They Say — Buddy Holly

1963 Coral (N.Y.) CRL-57426
Reminiscing [mono]
No rating Reminiscing — Buddy Holly



No rating Slippin' And Slidin' — Buddy Holly



No rating Bo Diddley — Buddy Holly



No rating Wait Till The Sun Shines Nellie — Buddy Holly



No rating Baby, Won't You Come Out Tonight — Buddy Holly



No rating Brown-Eyed Handsome Man — Buddy Holly



No rating Because I Love You — Buddy Holly



No rating It's Not My Fault — Buddy Holly



No rating I'm Gonna Set My Foot Down — Buddy Holly



No rating Changing All Those Changes — Buddy Holly



Pertinent Rock-A-Bye Rock — Buddy Holly

1963 Coral (N.Y.) CRL-757426
Reminiscing [sim. stereo]
No rating Reminiscing [rechan. vers.] — Buddy Holly



No rating Slippin' And Slidin' [rechan. vers.] — Buddy Holly



No rating Bo Diddley [rechan. vers.] — Buddy Holly



No rating Wait Till The Sun Shines Nellie [rechan. vers.] — Buddy Holly



No rating Baby, Won't You Come Out Tonight [rechan. vers.] — Buddy Holly



No rating Brown-Eyed Handsome Man [rechan. vers.] — Buddy Holly



No rating Because I Love You [rechan. vers.] — Buddy Holly



No rating It's Not My Fault [rechan. vers.] — Buddy Holly



No rating I'm Gonna Set My Foot Down [rechan. vers.] — Buddy Holly



No rating Changing All Those Changes [rechan. vers.] — Buddy Holly



No rating Rock-A-Bye Rock [rechan. vers.] — Buddy Holly

1964 Coral (N.Y.) CRL-57450
Showcase [mono]
No rating Shake Rattle And Roll — Buddy Holly



No rating Rock Around With Ollie Vee — Buddy Holly



No rating Honky Tonk – (instr.) — Buddy Holly



No rating I Guess I Was Just A Fool — Buddy Holly



No rating Umm Oh Yeah — Buddy Holly



No rating You're The One — Buddy Holly



No rating Blue Suede Shoes — Buddy Holly



No rating Come Back Baby — Buddy Holly



No rating Rip It Up — Buddy Holly



No rating Love's Made A Fool Of You — Buddy Holly



No rating Gone — Buddy Holly



No rating Girl On My Mind — Buddy Holly

1964 Coral (N.Y.) CRL-757450
Showcase [sim. stereo]
No rating Shake Rattle And Roll [rechan. vers.] — Buddy Holly



No rating Rock Around With Ollie Vee [rechan. vers.] — Buddy Holly



No rating Honky Tonk [rechan. vers.] — Buddy Holly



No rating I Guess I Was Just A Fool [rechan. vers.] — Buddy Holly



No rating Umm Oh Yeah [rechan. vers.] — Buddy Holly



No rating You're The One [rechan. vers.] — Buddy Holly



No rating Blue Suede Shoes [rechan. vers.] — Buddy Holly



No rating Come Back Baby [rechan. vers.] — Buddy Holly



No rating Rip It Up [rechan. vers.] — Buddy Holly



No rating Love's Made A Fool Of You [rechan. vers.] — Buddy Holly



No rating Gone [rechan. vers.] — Buddy Holly



No rating Girl On My Mind [rechan. vers.] — Buddy Holly


[LP track]     Pertinent Down The Line — Buddy Holly

Live Performances

[live recording]     No rating Peggy Sue [live vers.] — Buddy Holly

Unissued Tracks

[unissued]  uniss.  No rating Baby Won't You Come Out Tonight — Buddy Holly



No rating Rock Around With Ollie Vee [alt. vers.] — Buddy Holly

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